Cinematographers Karl Freund and Gunther Rittau relied heavily on traditional German Expressionistic techniques in shooting the film. One particular technique involved slowly focusing in on a key character’s face or a part of their body, such as a hand, to emphasize the character’s emotions or intentions. To create the panoramic shot of the Eternal Garden, Freund employed a so-called debris camera. Because the model in the foreground had to be shot from very close up, the camera would have had to remain absolutely motionless. To solve this problem, Freund moved the model in front of the camera instead. Gunther Rittau photographed animated mechanical models for the film’s title sequence, closely mimicking Leger’s "Ballet Mechanique"