Friday, October 5, 2007


Fritz Lang’s masterpiece,
Metropolis was a landmark film in the history of visual effects not only for pionerring then state-of-the art film techniques but for its visual style as well. The purpose of this case study will be to demonstrate how Metropolis utilized techniques far ahead of its time to envision a dystopic industrial future in ways later borrowed by such films as Blade Runner and Dark City.

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